There are piles of adverbs everywhere.
A pack of similes is arguing with the metaphors,
and the third stanza,
the sad one,
has disappeared entirely,
and we’ll probably get a call from a bar at 2 a.m.,
telling us it’s there, sobbing incoherently
about that cute blond couplet that was
cut from the poem two weeks ago.
A poem under construction is not a pretty sight.
That’s why we put the yellow tape up.
There’s nothing to see here,
nothing to gawk at.
Move along, move along.
That’s why we put the yellow tape up.
There’s nothing to see here,
nothing to gawk at.
Move along, move along.
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