Some poems live on the page,
the black type dancing
against the white paper
and setting the brain on end,
or lulling and mulling it
to a fine introspection,
like a brandy-induced pause
in front of a muttering fire.
Some poems live in the air
and merely crouch on the paper,
muscles tensed and taut,
biding time, hiding their power-
only springing to life
when they are spoken.
Shared aloud with an audience,
the words gambol and dance.
Some poems live both lives,
but they don’t like to talk about it-
The page-snobs sneer at them,
and the spoken word crowd
edge away a little bit,
if a poem admits to being bi-poetic.
But if it can stand the stigma,
poems that go both ways
have the most fun.
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